Many years ago I had a comic slated for publication in Heavy Metal, my most-loved magazine (along with Skateboarder) but they fired the art director and killed all the things he had green-lighted. I hope it wasn't my strip that got him canned. I'm actually planning to re-do that very strip as a 3D animation soon, by the way. What's a quarter-century delay?
Parents--well, this is where my issues with art vs business come from. My parents went to San Francisco in the mid 50's to do art, architecture and all things creative. My father soon owned a gallery where they sold his and his arch. school friends paintings. My parents went there to start a rendering studio so they could make extra money while my father did his three years or arch. work to get licensed. Rendering paid better than architecture, so my father did that as soon as he passed the exam.
My mother then made models for museums--dinosaurs, landform miniatures of Calif.'s geologic zones, art for planetarium slides. But she hated having a job of art, and has spent most of her life doing sculpture just for herself, not making enough to even take care of herself sometimes. She is really good, and could be doing very well with a gallery selling her work. But she won't, and won't send me enough material to get it set up for her. She just does her art off in the desert. I haven't seen her in over 15 years. Though she has email now, so I get lots of random notes.
My father did rendering, gave up architecture, because it was a better income. And he can really draw. He developed the photographic layout process that is the precursor to CG rendering. There were always architectural models all over the house, I played with them once he was done with them. But even a move to New York and being a top billing renderer there wasn't enough so he quit rendering right when I started and went more into writing books and doing workshops on marketing for A/E firms. He always worked about 80 hours a week (still does) and always talked about the business end of things rather then the art end. I can't remember the last time I saw him draw anything.
So who's right--my mother who gives up money for art or my father who gives up art for money? Or me, who tries to skate down the middle and hasn't been all that good at business and hasn't done as much personal art as I think I should be doing?
There you go--a mini memoir, even almost on-topic. Almost.



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