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Convincing moonlight


Dave Buckley
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The key to a good moonlit shot is not to underexpose and ensure lots of contrast - try to get some specular highlights and subtle spec-bloom working. A good trick is to set it up as a daylight shot, then reverse the white-balance values, ie start with 5500K (outdoor) values and then switch to light values for a 3200K (indoor) white balance for the moon. This will make the outdoor lighting appear blue, while any indoor artificial lighting appears normal. If you're using RGB 0-1, try setting your "moon" to 0.65, 0.70, 0.74 or with RGB 0-255, use 166, 179, 188. Similarly, if your using Kelvin temps, start in the high 7000's and work up towards 9000.

 

Typically, your moon light colour is that of the sky and will depend on atmospheric conditions. With the right angle/ dust/ vapour, it can even look slightly yellow.

 

Not guaranteed, but a good start.

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