Jump to content

What monitor do you use?


aristocratic3d
 Share

Recommended Posts

I use a ASUS PA248Q 24-Inch IPS. I'm leaving the country in a couple of weeks and am happily bringing it with me. Best monitor I have ever owned!

 

Its only $350 where as the one that simonm is using is $1000.

 

Why is this big difference? any idea? I dont understand any technical detail/spec.

 

My problem is I bought Asus monitors All three of them has different color output in same setup :o. each of them are $250 in my country 19".

I need to know what people in the US (my clients) use to view my production? I am afraid if they look over exposed or dark in their monitor.

Link to comment
Share on other sites

I think better to ask which is the most commonly used Display in the USA?

Or (which are .........?)

 

Because I want to use the same monitor my clients use. Some time I am producing a decent image looking at my display. But when I look at the image from other display it does not look that good.

Edited by aristocratic3d
Link to comment
Share on other sites

Your clients are in the USA?

 

It is not a good idea to produce work targeting mediocre displays. It is better to produce good work that looks right on a good display, as it will print properly and anyone else who uses it (graphic designers the client hires, for example) who also uses professional tools will be able to see the quality.

 

For all the money those US clients are saving by buying rendering work from overseas rather than a provider in, say, New York, they can damned well afford to buy one GOOD monitor. Tell them what they should have in order to properly review your work.

Link to comment
Share on other sites

Because I want to use the same monitor my clients use. Some time I am producing a decent image looking at my display. But when I look at the image from other display it does not look that good.

 

So you only have one client?

 

If you have 100 monitors that aren't color calibrated your work will look different on each one, so unless you only have one client or all your clients use the same monitor that option won't work. Ernest is right you don't want to produce work on an inferior monitor, that's just adding to your problems instead of fixing them.

Link to comment
Share on other sites

You need to buy a color calibration tool. I use Spyder Pro 3 and the results are very good. I've also heard good things about Color Munki. Both are around the $100 price range, maybe cheaper.

 

You will never get a monitor that is calibrated to your actual workspace, it might be within 75-90%, from the factory. You need to use color management tools for that.

Link to comment
Share on other sites

The issue of color accuracy is complex, even if you buy a high end pre calibrated monitor it will experience color drift as it ages. As the monitor gets older it's ability to display colors degrades over time, that's just the nature of LCD screens. The next problem you run into is color space, an image on your screen can be displayed in millions or even billions of colors but when you go to print the image the printer can't even get close to that range. This is why printed images tend to look duller and less saturated than what you see on screen. The bottom line is there is no perfect answer to this problem, you just have to get as close as you can with the budget you have.

Link to comment
Share on other sites

That means if buy from high price range even that wont do the job? not fully calibrated?

 

Not if you don't calibrate it properly. Unless you set your studio up to have the EXACT same lighting conditions as the factory it was calibrated in, there will still be some slight differences. I have the exact same monitor and video card at home as I do in my office. If I take my office profile to my home setup, there is about a 5-10% difference. It's slight, but noticeable. This is partly due to each monitor and video card, even the same models, handling colors slightly differently. This also has to do with 2 pretty different lighting set ups. At the office, it is your typical wash of florescent light plus ambient daylight. At home, it is a much more balanced indirect incandescent lighting and I tend to work at home at night.

 

Take some money off of your monitor budget and buy a calibration tool. It's the best investment you will ever make. That is about as close to a perfect solution as you can get. Then if someone complains about the image being dark, you know it is on their end and you can tell them that your monitor is properly calibrated so you are not responsible for how the image looks in their screen.

 

Also, Jeff Mottle has a lot of good posts on how to color manager renders with clients. You should take a look at those.

Link to comment
Share on other sites

Then if someone complains about the image being dark, you know it is on their end and you can tell them that your monitor is properly calibrated so you are not responsible for how the image looks in their screen.

 

Ha...this is something I've dreamed of saying to clients! In this situation I usually end up tweaking the image until it "looks" right on their screen....so stupid.

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
 Share

×
×
  • Create New...