vizwhiz Posted February 16, 2005 Share Posted February 16, 2005 hi There Vizards and ya'all we just went thru a color calibration here at work, what fun what an eye opener That was to see all the different options etc have you done a color calibration on your monitor printer and/or scanner etc Lately? if not, why not, if you do Then how often?? i had been trying to eyeball match colors from physcial samples on screen which it turned out That There is a red halogen light wreaking havoc in my work space i would look at a sample and it was slightly reddish i held it up at the screen and slightly turned it away and it looked more green i Thought i was hallucinating, again (yes i am from the 60's) finally tracing the shadow from my finger i figured out where the offending light source was coming from, it is several feet overhead and in someone elses work space so i am not allowed to change it besides That there is at least 3 or fours windows, exit emergency lights and a d*mn door that adds excessive glare onto the computer screen every Time it opens, i block my rear view with a masonite sheet what do you do to minimize glare or to color correct your work?? ?? just idle curiousity ** so far i got about 34,000 hours hands-on a keyboard Time i Think That my eyes or at least my brain is getting fuzzy ** Thanks Randy Link to comment Share on other sites More sharing options...
cullen Posted February 16, 2005 Share Posted February 16, 2005 I've been trying to get the printers callibrated at my office forever. For somereason it hasn't worked at all. Do you happen to have any info on the monitor stuff. Never really thought about that. thanks, crw Link to comment Share on other sites More sharing options...
STRAT Posted February 16, 2005 Share Posted February 16, 2005 never ever calibrated. my X boss used to, but i eye things up with great accuracy. Link to comment Share on other sites More sharing options...
Matt Sugden Posted February 16, 2005 Share Posted February 16, 2005 I must confess that I never calibrate either. With having a long standing background in professional audio there always used to be a similar argument about studio monitors/speakers, and trying to acheive the most neutral sound. My person opinion is to learn your system, by that I mean understand how you monitors tint your work, and how your printer emphasises certain colours, then compensate for it with your work. I don't believe you'll ever get 100% colour accuracy so why try and acheive it. Having said that I maybe looking at things through rose tinted glasses!! Link to comment Share on other sites More sharing options...
RyanSpaulding Posted February 16, 2005 Share Posted February 16, 2005 hi There i Thought i was hallucinating, again (yes i am from the 60's) HAHAHA Link to comment Share on other sites More sharing options...
Eric Posted February 16, 2005 Share Posted February 16, 2005 I don't have a calibrated system. What I do is get my colors as close as I can visually, then roll with it. If accuracy is very important, I'll take a Pantone swatch book and match my materials to the swatch book, and write down what Pantone color I need to use. Then I open up Autocad Arch Desktop and hatch a box with the Pantone colors, and set the color to the one in my swatch book. This gives me the RGB color values that I can plug into Photoshop or Max. If I'm in photoshop I'll create a layer at the top of my layer list and fill little swatches with the RGB value I obtained from Arch Desktop, and then apply adjustment layers to my photoshop image to tweak colors. I've not found an easier/faster way to get accurate colors. Even the architects in the office might look at my renderings and tell me the colors are off. When I pull out the material samples and hold them up to my rendering, they always say "...maybe we need to pick a different paint color then because you're rendering is correct." Link to comment Share on other sites More sharing options...
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